There’s a nice feature on the Activist poets (working in the tradition of my father Lawrence Hart) in the Summer/Fall issue of Seventh Quarry, an international poetry journal based in Swansea, Wales. That’s Dylan Thomas country, as editor Peter Thabit Jones proudly points out. The set includes poems by Jon Miller, Pat Nelson, Fred Ostrander, Bonnie Thomas, Judith Yamamoto, and myself; I also contribute an introduction giving some history and exploring the idea we share: that poetry, to be poetry, must be clearly different from prose, not just in occasional “peak” lines, but throughout.
On July 10, 2015, President Obama proclaimed a National Monument along a hundred miles of rugged Coast Range ridges west of Sacramento, California.Two weeks later, much of the new monument was engulfed in the flames of the Wragg and Rocky Fires. I wrote about this captivating landscape before the designation and the fires (High Country News, May 25, 2015), and will survey the new realities, physical and political, for the April-June issue of Bay Nature.
My poetry discussion group at Book Passage in Corte Madera starts up again October 1, 2015 and runs for eight sessions. Proceeding more or less chronologically, we kick around poems and poets from Shakespeare to last week, touching on many “classics” and also some lesser known names. The people who sign up help set our route through the world of English-language poetry (sometimes a few translations). On all evenings but the first, I provide texts in advance. Beginning or puzzled poetry readers very welcome! I’ve been leading this group since 2009.
El Niño may be on the way, but California’s water problems aren’t abating any time soon. In the June issue of Estuary News, I look past the present drought to ask how much water California can store underground for the even worse conditions climatologists warn us we can expect. Estuary News is the respected quarterly publication of the San Francisco Estuary Project, a consortium of people and groups concerned for San Francisco Bay and the Sacramento-San Joaquin River Delta. The San Francisco Estuary, as scientists prefer to call it, is the subject of my San Francisco Bay: Portrait of an Estuary, a 2003 collaboration with photographer David Sanger.
I’m headed to Wyoming for a week in July to trace the movements of my ancestor, cavalryman and general hell-raiser John Benton Hart, in 1865-68. He left a rich memoir of his experiences at the end of the Civil War and thereafter on the frontier. My latest article extracted from this lode appeared this spring in Kansas History magazine. Now I’m off to Casper to be at the 150th anniversary observance of the Battle of Platte Bridge, in which allied Sioux, Cheyenne, and Arapahoe Indians made a concerted attempt to shut down the Oregon Trail. Johnny, as everyone called him, was one of two dozen men to ride into ambush under doomed Lieutenant Caspar Collins, for whom the Wyoming town is named.
In August, National Parks Month, PBS stations nationwide will be showing Rebels with a Cause, the story of how the coast just north of San Francisco was wrested from looming development to become the open space oasis it is today. Narrated by Frances McDormand, the much-honored documentary centers on the people–the Rebels–who stepped forward to make the improbable happen. I consulted on this film, which draws on books of mine including An Island in Time: Fifty Years of Point Reyes National Seashore.
On June 3 I’m reading with others at the San Francisco Center for Psychoanalysis, 444 Natoma Street, 7 to 9 PM. It’s their Art and Poetry Evening in conjunction with a big analysts’ convention that’s in town.
On June 14, my colleague Bonnie Thomas launches her book Sun on the Rind, fresh from Sugartown Publishing, in the Berkeley Art Center, Live Oak Park, 1275 Walnut Street, 3-5 PM. I wrote the introduction.
On June 23, Bonnie and I will join Pat Nelson and Judith Yamamoto in a (mostly) Activist evening at the Marin City Library, 164 Donahue Street, Sausalito, 6:30-8:30. It’s the Marin City stop of the Marin Poetry Center Traveling Show.
My poetry discussion group at Book Passage in Corte Madera starts up again March 3, 2015 and runs for eight sessions. Proceeding more or less chronologically, we kick around poems and poets from Shakespeare to last week, touching on many “classics” and also some lesser known names. The people who sign up help set our route through the world of English-language poetry (sometimes a few translations). On all evenings but the first, I provide texts in advance. Beginning or puzzled poetry readers very welcome! I’ve been leading this group since 2009.
I’ve been writing about the California water wars since 1970. This season I’m preparing an update for the second edition of my 1996 book Storm Over Mono: The Mono Lake Battle and the California Water Future; there is much, mostly good, to tell. This time the Mono Lake Committee will publish. And I’m researching a piece for Estuary News, published by the San Francisco Estuary Partnership, on the master key to that water future: making smarter use of our vast but dwindling reserves of water underground.
Four poetry collections, recent or forthcoming from Sugartown Publishing, mark the reemergence of a poetic movement known as the Activists. No, it’s not politics. “Activist” was the nationally recognized rubric for poets working with my father, teacher-critic Lawrence Hart, in the 1940s/50s and after. Since Lawrence’s death in 1996, a number of writers have continued to pursue his demanding approaches, and we’re reviving the “Activist” flag. The titles are Patricia Nelson’s Among the Shapes That Fold and Fly (2012), Fred Ostrander’s It Lasts a Moment: New and Collected Poems (2013), Judith Yamamoto’s At My Table (2014), and Bonnie Thomas’s Sun on the Rind (2015).
Besides writing an introduction for each of these books, I’m at work on an Activist Anthology featuring earlier generations, including the founding and nationally noted trio of Robert Horan, Jeanne McGahey, and Rosalie Moore. The contents, based on selections Lawrence Hart made during his lifetime, are nearly set, and I’m now at the rights acquisition stage.